More than anything, I love writing, movies, comic books and design – mostly toy, tool, game design and digital product design.

Let me help you

My life’s ambition is to look back at a massive body of work – stories, visual works and designs. And to also create something that never existed before. My approach toward this goal, is heavily influenced by Lloyd Kaufman’s Troma. To bang out fresh ideas constantly, except in addition to this: with attention to detail, strong craftsmanship, innovation and thoroughly sophisticated intellect – but as many works as humanly possible – to stimulate the gears in my head, and provide momentum for my career.

As I see it, cartoons are the most flexible medium of creativity in existence today. They simultaneously release your inner child, and refuse to censor your grownup NSFW fascinations.

the intersect of art and intellect

My top25 fave films of all time are: Empire Strikes Back, Henry Fool, Labyrinth, A History of Violence, Oldboy (2003), Night of the Demons 2, True Romance, It’s Such A Beautiful Day, Monster in a Box, The Nightmare Before Christmas, Kids, La Cite Des Enfants Perdus, Killer Klowns from Outer Space, Idioterne, Rush (1991), Star Wars Uncut: Director’s Cut by Casey Pugh, The Langoliers, Unforgiven, The Neverending Story, Upstream Color, Umbilical World, Mr Holland’s Opus, Oleanna, Sunshine (1999) and Demonlover (2002).

What problems do I want to solve with my career?

1. To help young people achieve their goals earlier, to avoid them falling into depression due to fixations on creative failure

2. To inspire change – forward movement in industry and education

3. To improve entertainment quality standards and local production/festival infrastructure

4. To tell great stories and design innovative products and fun digital art

5. To help beginner writers better construct their means of expression

As far as ecology, I feel like I’ll pass the buck to someone more passionate about solutions. And simply inspire and support those of the next generation with those causes as a passion. And do my bit in small ways.

I am seriously fascinated by the development of digital works. Mechatronics is a combination of mechanical output and electronic parts (usually the brain and power source are electronic.) This includes but is not limited to animatronics. You can have mechatronic spaces, toys, art installations and physical-digital products.

Digital products are products that utilise technology for their function. Often this means things like software and electronic games and hardware. With either invisible moving parts or physical electronically controlled moving parts. However, physical-digital products can be any finished physical thing (that is to be sold) that uses technology for its physical functioning. A digital product might be Facebook (software) or a Barcode Reader (hardware). Whereas an example of a physical-digital product might be a consumer robot (physically-functioning hardware).

My Journey

When I was younger I wanted to be an inventor.
I was less concerned about being understood, than being myself.
I wanted to create something new and original – which isn’t hard, I’m weird.
How weird: eccentric tastes, variety of humour styles, few emotional & mental health issues, neurotic – which is almost a strength in creativity.
Issues lead to: overthinking, thinking things through to excess.

My writing style – either about deep thought, or something well thought through. Deep and abstract BUT specificity in the action/setting. I was told my stage plays were “too novelesque”.
After my TVNZ rejection, I learned to create… to low budget, minimalism, restrictions. This was a challenge that took me on a 7 year quest.
While also pursuing: fantastical, sci-fi, big projects. Doing both = different approaches to the same problem.
“If I didn’t find different ways to solve one problem, I’d find myself failing.” – I don’t accept rejection/ failure – it’s just a problem with more approaches to try, and a challenge to meet.
Mechatronics – “driven by the hunger to understand, define, communicate and express the process” + “sometimes I get so engrossed in the process I forget about the subject.”
Obsessive: weaknesses, bad habits, things that worry me.
Not so obsessive: strengths – arrogant/confident, can muster “blind faith” and leap in the face of wild odds.
Optimist – rather build a shield to protect myself from getting bogged down by what I’m afraid of.
Daily routines + time/energy management.
Ideal of 5 hours – which I many times do not reach, I write intensely, “attention span of a gnat” + then I’m tired. And throughout the day I’m thinking about problems, but I don’t count this as work time. I try to work for at least 3hrs in one go – which could be a combination of a few hundred words of new script (comic or game treatment) or new novel pages, blog for 1hr and study/research/coding/free sketching or storyboarding. And a 4th hour of messing about with Adobe software or a game engine. But I’ll usually do 7pgs of rewrites around lunch time as well. This is a productive day.

ultimate goal

Troma-esque vast body of work + to create something that didn’t exist before.

dream type of work

Epic, fantastical, sci-fi AND grounded in deep thought, post-modernism, minimalism and restrictions.
“Alienatingly snobby” – called “intellectual snob”. Good thing? “I’m fine with it… until it becomes a problem then I guess I’ll tone it down” = I won’t. “tone it down” = lowering self for others. “Compromise is a dirty word”
Standing your ground, staying true to yourself, despite expectations and level of others = courage.
How do I shrug off other people’s opinions with such conviction and grounding in my self-belief/belief in my art? I’m not impenetrable to criticism, I often am forced to work through depressed periods. I value the work, most of my feedback has confirmed that belief, even if they didn’t end in a sale. I believe that what I’m trying to express and create has value – as art, as entertainment and as motivational/functional tools.
Graduate critique – she got me. Huge push forward to keep going + rewarding to get such valuable feedback.

a study of itself

Felt really different. Proud, because it was different to anything I’d done before – mostly done fantasy + turning reality into something morbid/humorous/both.
Doing something really different is… hard, and doesn’t always happen.

WAY I’VE GROWN THE MOST: Learned to be more patient. HARD for creatives – all the ideas, rush all the pages.
How to be more patient? Learn to be better and you see it makes the work better, it shows up in the work as I don’t like to rush the pages – seeing the improvement in the work makes it easier to force yourself to be patient.

PROJECT WHERE I GREW THE MOST: fantasy novel started at age 13 (300pgs) – every time I rewrote it, I found how bad it was before, noticed how much I’d grown as a writer each time.

  1. At first, it wasn’t arrogance – I was naive and foolish, and struggled to get people to understand what I conveyed
  2. I tried hard to learn to communicate AND express (truthfully) at the same time – difficult challenge
  3. Now? It’s arrogance – too arrogant to submit
  4. “Who are THEY to decide what my writing should be?”
  5. If failing too much, I may consider “selling myself” – functional skills + functional member of society + functional, unglamorous gigs – the Einsteiner, without the day job

What is perfection?
To master at least 4 x creative mediums of expression – add another 2 skills (got: game design, writing) – working on cartooning, producing.
FUNCTIONAL – for the designs, to create them. For the writing, to get published.

– “So, I think what you mean by “functional” is “in the world” – to make the art into reality in the world, to take the creations beyond the page” (Amanda)


Publishing = meeting expectations/standards of others (the gatekeepers)
“Who are THEY to decide what my writing should be?”

My People

Richard Garfield, Magic the Gathering inventor: “I so admire how he was able to create something there was no roadmap for + whole domino effect of other creations” – He invented a completely new breed of game. Love to be able to do that; change the game.

Lynda Chan-wai Earle, Graduate critique – she read, understood and really got me and what I was trying to do.

Other core influences:

Brendon Small, Don Hertzfeldt, Jhonen Vasquez, Bill Gaines, Bruce Timm, David Firth, Ben Bocquelet, Jim Henson, Hal Hartley, Terry Pratchett, Greg Egan, Roald Dahl, David Cronenberg, Spalding Gray, Jay Silver, Will Wright, Eric Chahi, David Scott Jones, Arnt Jensen, Harmony Korine, Shane Carruth, Jae Lee, Tony Wong, Jack Cole, Glen Duncan, Chan-wook Park, Rik Mayall, Anna Mantzaris, Joe Penhall, David Simon, Jean-Pierre Jeunet, Henry Selick, Doug TenNapel, Stephen Chiodo, Elyasaf Shweka, Lars Von Trier, Douglas Coupland, S. S. Wilson, B. F. Skinner, David Peoples.

STEPHEN KING’S THEORY: monster = 3 archetypes. I thought about how each of the 3 represents a drive, in us.
1: Vampire > feeding, thirst, sexual/lust, survival
2: Werewolf > we are all animals without our conscience. All of us, are. “We need to be tamed, by ourselves”
3: Frankenstein’s monster > the most interesting. GOD motive – to punish the creator for creating him, for going against God’s law. Represents God’s wrath.
Alien/s = my perfect Frankenstein monster film – weapon discovered by humans, turned against humans to punish them for greed (the company). Greed made them arrogant, pride made them ignorant. Therein did lie their mistake. They underestimated the weapon.
AI, robots + virtual reality = the nightmares of Frankenstein’s monster turning against us, God’s law.

And then I further speculated that the monster is merely a tool; for – in the horror, materialising our fear/s, – in the thriller, creating consistent tension and teasing with the implied.

Horror is defined as an intense sense of discomfort, panic and loathing. King goes on to mention the chronology of the Horror method: 1 = terrify; to terrorise them by bringing up something they viscerally cannot handle. If that doesn’t work, 2 = horror (or shock – because it’s all horror; to surprise them). If that doesn’t work, 3 = gross out, take it further than they can handle.

Mechatronics: learned about communication – artist produced something not quite in my head. I was fascinated – many different ways to design how something can REACT to you.
REACT: God’s law? Making the next machine to react > learn to react > turn against? Am I Dr Frankenstein if I finally create something that never existed before = breaking God’s law? “I don’t think I’ll care by then” – Q: why not? A: the struggle for achievement seems worse than the idea of God’s wrath.

Maybe I’m building Jane from Speaker for the Dead (Ender’s Saga – novel series).

MONKEY + ORANGUTAN: needed to explore:

1) more than physical

2) dramatically

Created characters that are – part of him, not him, and not fictional either.

REPRESENT: all artists have (and need) the critical analyst/the inner critic AND the sounding board.
“If you don’t have these around, you need to invent them in your head”

We love the idea of isolation for creative focus.
Cosy spaces – from Danish “Hygge” concept. Isolating yourself can be positive. Feel isolated, when travelling, even with people.
Home? It has always been a fantasy to be a hermit, live on an isolated beach, but with a dairy/some convenience.

When I first arrived in New Zealand, and then 4 x round the world – fantasy and stories were safe haven away from fears.
As a kid – “terrified of everything”: dark, monsters, serial killers, axe in night – thought it was normal (it is a bit).
Started writing at 4, turned to fantasy away from rural/boring life.
Believed in magic and the impossible, made things more interesting and exciting.
Enjoyed school UNTIL it got serious + boring. School was supposed to be about learning not discipline.

And then I grew up – you discover the demons in you are more scary than anything outside. “Totally, that’s my life!”

WANT TO WRITE: epic horror of the demons within me – more on that in my work.
The threat – “real fears put magical demons to shame”
Amanda: “Well, maybe the magical heroes are enough to overcome the real fears.”

But I don’t write about heroes – that’s too happy.


Graduate critique: “Is art about communication? He’d probably say no” – passionate NO scream!
“I think communication is a lesser beast to expression.”
If it is to affect expression, it should suffer.
Expression: pure form, truth VS Communication: meeting someone else where they are – language, expectations…


What can I do to bring my creativity beyond the page without needing to interact heavily with people?

  1. Learn to code so I can make indie video games, software and robots.
  2. Write novels and screenplays consistently and submit to places with the hope of becoming published/produced.
  3. Learn enough animation so I can make movies alone in my room.
  4. Get better at cartooning by sketching every day so I can make cartoon t-shirts and design art (and comic books/graphic novels to submit to small publishers.)
  5. Get good at painting miniatures and make youtube videos about my nerdiness.
  6. Learn the adobe suite to improve my artworks.
  7. Keep consistent on my blogs, to increase my essay/review output.
  8. Spend more time game modding.
  9. Invest time in new hobbies: fantasy map-making and clay creature-making.

a short video movie I made at Polytechnic in 1 day with no money!

I have been writing for most of my life. Trained as an expert writer (mostly novels, games and scripts), I am now working as a freelance tutor (mostly creative subjects). I am also a self-taught designer, art director, cartoonist and producer (with a strong background in poetry, making movies on video and sketching.)

Beginning my career as a classically trained freelance author/scriptwriter/filmmaker/manuscript assessor and sketch artist in 2012, I have scribbled my way through a career spanning 7 years and counting. In 2018, my professional contributions were in software development as a Junior Producer/Programmer, mentoring as a Manuscript/Design Assessor and in art services as a Freelance Bespoke Cartoonist.

I write mostly in my favourite genres: indie drama, scifi action, modernist urban/rural/suburban fantasy, and horror/comedy. I hope to emulate the level of innovation, quirkiness and sophistication of my favourite games and movies.

Imagination is a powerful force; once wrangled can birth tremendous discovery and perspective on the lives we experience. Through understanding the best and the darkest moments that force themselves upon us, brilliant and believable solutions can be spun. The characters and the worlds I create come from this imagination, practiced by a history of writing since childhood and a lifetime of world travel — traversing the globe four times over. 

As a disciplined and tenacious writer, my work has spanned screenplays, stage plays, non fiction, novels, animation and short stories— having realised first-hand the benefit of writing as a recovery and healing process, I take regular involvement in the mental health community; which has welcomed me as a friend and supporter for years. 

In addition to a formal degree in creative writing, one of my manuscripts has won a mentorship with the New Zealand Society of Authors

Harnessing my creative ambition and desire to learn & produce I am an active member of the open source software/hardware community. I have backed over 65 projects on Kickstarter®. Using writing as a medium, I contribute to Tripadvisor as a travel blogger and offer my expertise and guidance directly to those in need by writing e-courses and providing online tutoring.

Wishing to foster creativity within my ever expanding community, I have dedicated myself to helping people better articulate their ideas and raise awareness for creativity as a whole— organising entertainment events, producing open source hardware and software, social software and affordable websites, and constantly exploring new mediums in which to express creative direction. 

Established within the New Zealand creative community, I look forward to hosting local business-powered creative drives, outdoor drive-in film marathons, and general fundraising…fostering the creativity, community, and culture of my world.

In my novels and screenplays, first is the idea. Then I figure out what the story is that I want to tell; what I want to express. Then I plot out the events and the characters required for those events. Then I summon the characters and watch them hanging out and interacting with each other. I test them with the situations and riff on the settings like God. Then I organically weave together the events, and the journeys of the characters. Meanwhile, amping up what I’m trying to express. Draw the next paragraph from the one I just wrote, while not forgetting what I’m trying to say. I get to know the characters and they start speaking to me and doing things I hadn’t expected, which (like time travel) changes the plot. Eventually I stop writing, that’s when I decide it’s ready to rewrite – which usually takes a month or four.


I value my combination of: varied humour styles, a fascination with nostalgia and dismantling/process analysis, my intellectual/visual personal imprint, creating design which is both reactive to excessively progressive technology and respecting my deep and powerful need to create something new.

To describe my fascination with Stephen King’s work: here is an attempt –

I love writing novels – I am in a long-term romantic relationship with horror because:

When I was a kid I was excited about language and storytelling. I would consume fantasy novels constantly.

​When I was ten, I picked up It by Stephen King. He gave us this constructed world but it was a complete world with the theology – these ancient Gods (It and the turtle.) With psychology of sociopaths, deep as hell characters, a story of sexual and emotional maturation, a horror story and an epic history of both a town and a smaller society; this group of friends, the losers club – with whom I absolutely identified as much as I did with King’s world.

I was truly inspired by this book and three years later attempted to write my own epic fantasy story about the world as I saw it. I didn’t get published, so I kept trying. I even sculpted a clay 3d cross-section diagram of my multiverse. I studied alot – a degree in creative writing (whitireia polytechnic) and two other courses – one in 2D digital art (the learning connexion – level 6), the other in media studies (video production major.) In 2002, I rewrote my epic fantasy as a short novel, but then became side-tracked by trying to launch my script-writing career. Other influences include rural life in New Zealand, Paul Bonner’s Nepharite warlords in the Mutant Chronicles tabletop game Universe especially agents of Semai and Algeroth, and growing up playing Magic: the Gathering.

I’m planning to also write epic horror – and design pen-and-paper RPGs and make indie video games. I am interested in getting more involved in the wargaming miniatures scene – games workshop CMGs (blood bowl, 40k, epic.)

Philip Francis Nowlan created Buck Rogers, which inspired Flash Gordon (Defenders of the Earth was a favourite 80’s cartoon of mine) which (along with the work of Lucas’ friend, a comparative theologist and mythologist) inspired Star Wars.

So having written my first large manuscript in 1995, my first pro-grade manuscripts (a tv pilot – which TVNZ liked, but deemed too expensive to make. And a short novel) in 2002-2003. And trying since then to perfect my writing in order to attain commercial success without sacrificing my artistic integrity. In 2019 I was approached by an American producer and we embarked on a project, together. I decided to write 10 manuscripts in a year and brute force pitch them to relevant organisations. Meanwhile doing a ton of deep design research and producing projects on micro-budgets myself.

I have been reading DC Comics since discovering Hal Jordan, JSA, Captain Atom, Clayface and Plastic Man as a kid. I love visual storytelling. Scriptwriting for both screen and sequential art is one of my core passions.

I enjoy listening to music in the background while I work creatively or browse post-modern art online (Kumpan, Bonner, Takeya, Chris Mars, Marin, Meng, Bauder, Rhodri McCormack, Chigi, Baudoin, Kolokontes, Melmoth, Sho Yamamoto) and cartoonists (jeff victor, the awkward yeti, wawawiwa, graphicurry, ken reid, chris hallbeck, john graham)

…Then as I fell in love with science fiction, my keen following of science grew from robots to include things like social science, psychology, software design, hardware design, mecha design and anthropology.

I don’t want to be forgotten. I want to leave something behind, I want my life to have had meaning – for this I feel that I need to effect positive change in the world, to impact society, to make an imprint of myself that will not decay before our species does. To change minds, inspire hope and change. To motivate deep thought. To move tech forward to solve problems or inspire and enable the next generation to move tech and society forward to solve problems. these are turbulent times so there are possibly more problems now than ever. climate, politics, hate, inequality, economy, poverty, the destruction of the hard worker and his/her life/family, bullying (more hate), and harassment (hate turned to action.)


Through powerful stories, designs, sketches and tech: YA novels (14-17), movies and sequential art, documentaries, designs, digital products, cartoons, critical analysis, written ideas, songs for video, and games.

My stories, designs, sketches and tech are not happy, joyful, naive works of fluff. Alot of my stuff is quite dark and cynical. I value quality and true realism over false positivity. I still feel that I am an optimist myself. I mean, believing that my work will not decay and that our species will survive in these times is somewhat optimistic. I don’t write happy even when I am. What makes me happy is humour and passion. Effectiveness, creative integrity, dismantling/process analysis – to reveal something new about something old, creating something new and unique. Thinking –  that is deep, complex and thorough. Sophisticated craftsmanship, respect for the sanctity of older processes – these values are authentic to me.

critique by L.C.E. of my script